2018: Intraactions
[It] signifies the mutual constitution of entangled agencies. That is, in contrast to the usual “interaction”, which assumes that there are separate individual agencies that precede their interaction, the notion of intra-action recognises that distinct agencies do not precede, but rather emerge through, their intra-action.
- Karen Barad, 2007.
In 2018, the research programme at Exposed was put together to interrogate the current processes and trends behind the collaborations amongst the contemporary art practitioners and theorists. We employed the philosophical notion of "intra-action" (Karen Barad, 2007) to capture the specifics of cross-disciplinary collaborations. We specifically favoured the Baradian neologism as a critical response to the notion of “interaction”, which is commonly utilised to describe an artistic-curatorial collaboration. An interaction-based model of professional relationship results into a temporary collaboration of consistent, fundamentally autonomous distinct agents that preexist the event of joint art production. In a very different way, the intraaction-basedmodel recognises the process of a joint art production as a dynamism of forces, in which all designated art practitioners are constantly exchanging and diffracting, influencing each other and working inseparably — developing their specific artistic outlooks, subjectivities and techniques in the presence of the others.

25 JAN / 10 MAR
ONE NEED NOT BE A CHAMBER, an on-site research, conducted by a film-maker Lara Smithson, a place-maker Simona Sharafudinov, an image-maker Rhona Eve Clews, and an object-maker Maria Positano.




25 JAN
DISAPPOINTMENT, a durational performance by Simona Sharafudinov.